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BEST ELECTRONIC MUSIC

 

Electronic music which is also called EDM is a technique of producing music, it ame into existence  as a result of the various experiments by the music producers and the composers using emerging electronics to revamp existing music and its existence has made artist spend less time in studious to record songs but rather it has made it easy for them to record songs in a short period of time using software synthesizer to make their music. Electronic music is one aspect of music that is produced from different sounds like microphone,electronic oscillators and computer installations.Here we have highlighted top ten electronic music of our time in no arrangement order.

 

 

1. MAJOR LAZER- LEAN ON

 

 

 

 

 

 

 

 

 

 

 

 

 

Image from Pan Africa Music

 

Lean On" is a song recorded by American electronic music group Major Lazer and French producer DJ Snake featuring vocals from Danish singer MØ, released as the lead single from Major Lazer's third studio album Peace Is the Mission, on March 2, 2015. It was produced by Major Lazer and DJ Snake, and written by MØ, Major Lazer member Diplo, and DJ Snake. It is a dance and electronic song also described as a house ballad.

"Lean On" was a critical and commercial success, peaking at number four on the US Billboard Hot 100 chart and at number two on the UK Singles Chart. It reached number one in several other countries including Australia, Ireland, the Netherlands, Mexico, New Zealand, Finland, Denmark and Switzerland. In November 2015, "Lean On" was named by Spotify as the most streamed song of all time, and has over 1 billion streams globally as of June 2017; however, it has since been overtaken by Drake's "One Dance" (2016).


 

2. ALAN WALKER- FADED

 

 

 

 

 

 

 

 

 

 

 

 

Image from billboard

 

Faded" is a song by British-Norwegian record producer and DJ Alan Walker with vocals provided by Norwegian singer Iselin Solheim. The single was originally set to be released on 25 November 2015, but was postponed to 3 December. The song was highly successful, peaking in the top 10 in most of the countries. It charted in, and reached the top spot in more than 10 countries. As of July 2021, it is the 20th most viewed video on YouTube and also 13th most viewed music video, with over 3 billion views, making it the first EDM track to hit that milestone. "Faded" is also the 45th most streamed song on Spotify as of July 2021, with over 1.4 billion streams.

Walker debuted a live performance of "Faded" with Solheim and string support on 27 February 2016 at the X Games in Oslo. The performance was aired live on Norwegian television.

 

 

3. THE CAHINSMOKERS FT HALSEY- CLOSER

 

 

 

 

 

 

 

 

 

 

 

Image from Officialchart

 

Closer" is a song by American EDM duo The Chainsmokers featuring Halsey. The song was released to digital retail and streaming formats on July 29, 2016, and impacted radio on August 2, 2016. The song became a commercial success, topping the charts in multiple countries, including Australia, the United Kingdom, and the United States. A music video was released on October 24, 2016.

 

Closer was nominated in the Best Pop Duo/Group Performance category at the 2017 Grammy Awards. The existence of the song was first confirmed when a snippet was performed at The Chainsmokers's Coachella set. At the Bonaroo Arts and Music Festival, Halsey was invited onto the stage to perform the song with them, where it was announced that she would be included in the final version.

 

The song was written as a "conversational song" with two people telling each other what they want specifically.Closer was included on The Chainsmokers's extended play Collage, which was released on November 4, 2016.

4. AVICII- WAKE ME UP

 

 

 

 

 

 

 

 

 

Image from Billboard

 

Wake Me Up" is a song by Swedish DJ and record producer Avicii, released as the lead single from his debut studio album True, released on CD by PRMD Music and Island Records on 17 June 2013. "Wake Me Up" was written by Avicii, Mike Einziger, and American soul singer Aloe Blacc. Aloe Blacc also provides vocals for the track and Mike Einziger of Incubus provides acoustic guitar. Peter Dyer also provides the keyboard on the song. Avicii introduced "Wake Me Up!" for the first time live on stage at the Ultra Music Festival in Miami. The experimental rendering (it was accompanied by a live band with instruments and vocalists, including Blacc, Einziger and Incubus members Ben Kenney on bass and José Pasillas on drums) reportedly confused and angered a section of the electronic dance festival community. Subsequently, Avicii achieved critical and commercial success with the release of the single worldwide. Avicii's 'Wake Me Up' has been named as the highest charting dance track of the decade[6] (2010-2019), sitting at No. 13 in the 100-strong list from the official UK Singles Chart. It is the only song to crack the Billboard Decade-End without making the top 3 during any week.

 

5. CLEAN BANDIT FT SEANPAUL- ROCKABYE

 

 

 

 

 

 

 

 

 

 

 

Image from facebook

 

Rockabye" is a song by British electronic group Clean Bandit, featuring English singer Anne-Marie as main vocalist together with Jamaican dancehall singer Sean Paul. It was released on 21 October 2016 and was their first single since Neil Amin-Smith's departure from the group and it serves as the second single from their second studio album, What Is Love? (2018). The song is about hardships of single mothers and alludes to the nursery rhyme and lullaby, Rock-a-bye Baby. "Rockabye" is included on the deluxe edition of Anne-Marie's debut studio album, Speak Your Mind.The song became the UK Christmas number one for 2016 on 23 December 2016. It is the first song in chart history to become Christmas number one after already being at the top of the charts for six weeks.[3] In total, the song spent 9 weeks at the summit of the UK Singles Chart while also topping the charts in over 20 other countries.

6. MARSHMELLO- ALONE

 

 

 

 

 

 

 

 

 

 

Image from chartsongs

 

Alone" is a single by American DJ and record producer Marshmello. It was first released in May 2016,[2] then later released as a digital download on June 17, 2016 on iTunes and for streaming on Spotify. Upon its release, it charted on the Canadian Hot 100 at 56 and US Billboard Hot 100 at 60, and its music video has received over 1.7 billion views as of May 2020 on YouTube. In February 2019, it reached a new peak of 28 on the Billboard Hot 100 following Marshmello playing a virtual live concert in the video game Fortnite.[3] It is also the first and only Monstercat song to be certified Platinum by the RIAA.

 

7. ARCA- KiCK i

 

 

 

 

 

 

 

 

 

 

 

Image from Screencast

 

In February, electronic experimentalist Arca dropped a 62-minute song framed as a pirate-radio broadcast from a post-singularity future that begins with whispers of a “diva constructed.” KiCk i, released four months later, is the Barcelona-based musician’s more straightforward take on diva-hood. Bullet casings fall to the floor on opener “Nonbinary,” but Arca isn’t under attack: “I do what I wanna do when I wanna do it,” she deadpans, and then proceeds to prove it by remaking herself with each track. KiCk i is her first record to prominently feature several guest singers, with Björk, Rosalía, SOPHIE, and Shygirl all present to witness her various metamorphoses. She turns liquid on the synth-sheathed “Time,” raps on the chaotic “Riquiquí,” and glitches with her voice pitched high on “Rip the Slit.” Presented as the first of four eventual albums, KiCk i shares all the promise of becoming, in both its pain and its joy. –Colin Lodewick.

 

8.BULLION- HULA

 

 

 

 

 

 

 

 

 

Image from Twitter

 

The slow-motion electronic pop of Bullion’s “Hula” soundtracks a series of vacations, recounted as pleasantly fogged memories. The music is seductive, almost narcotic, with synth pads exhaling in long, overlapping layers. But something feels off. The instrumental break following an unexpected chord change lurches like a luxury liner in choppy water; melodic lines become queasily detuned. The London-based producer-songwriter is taciturn as a lyricist and a singer, but such off-center musical moments help to fill in the blanks, suggesting that holidays and hula dancing offered only partial reprieve from some looming anxiety.

 

9.INDIA JORDAN- FOR YOU

 

 

 

 

 

 

 

 

 

Image from Pitchfork

 

With euphoria in short supply and dance floors shuttered around the globe, 2020 hasn’t been particularly kind to dance music. Outside the context of booming sound systems and late-night revelry, even the most expertly crafted club tracks have lost some of their luster, which makes the glittering elation of “For You” all the more precious. Bounding along atop a turbo-charged filter-house template, the song gleefully reanimates the ghosts of French touch and harkens back to the days when house producers regularly (and rightfully) landed in the Top 40. As the title track of Jordan’s For You EP—an effort reflecting the London artist’s struggle to move past the homophobia and small-mindedness that pervaded their formative years in the North of England—the song is a joyous ode to self-love and self-acceptance that underscores the healing power of a good rave.

 

 

10. NAZAR-GUERRILLA-

 

 

 

 

 

 

 

 

 

 

 

Image from Electronicbeat

 

In contrast to the celebratory sound of Angolan kuduro, Manchester-based Nazar’s “rough kuduro” uses fractured rhythms and blasted digital textures to dig into the post-colonial past of the African nation of his family’s heritage. Between 1975 and 2002, the former Portuguese colony endured what has been described as “the worst war in the world”; Nazar’s Guerilla, inspired by the wartime journal of his father, a rebel general, doubles as a series of snapshots of the civil conflict. Tracks like “Arms Deal” and “UN Sanctions” put a grimly literal spin on the percussive shrapnel and gun-cock samples favored by grime and bass music; the birdsong and mournful vocal hook of “Retaliation” suggest that even moments of calm are soon ruptured by violence; on “Bunker,” throbbing helicopters punctuate Nazar’s murmured refrain of “Gun in my hands/Bullets in my chest.” But there are moments of tenderness, too: “Mother” is an ambient lullaby that cradles echoes of a distant choir—a glimmer of hope amid the wreckage.

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